Parallelly with his church obligations he was collecting, writing, composing folk and classical music. His input in Armenian folk and classical music is huge therefore we call him “Armenian Bach”. He collected and noted thousands of Armenian, Persian, Kurdish, Turkish songs and was studying them theoretically proving that Armenian music scale and mentality is unique and self sustainable… derfore he had a need to go to Europe and improve his musicological, composing skeels and he entered to Professor Richard Schmidt’s privet conservatorium in Berlin. He was representing Armenian folk and spiritual music in scientific level all over the Europe, especially in Paris and Berlin hosted by International Music Society. Famous composers like Vincent D’Andy, Gabriel Fore, Camille Sen-Sans was very exited of his presentations. In 1906 after one of the concertos the French composer Claude Debussi exclaimed excitedly: “Brilliant father Komitas! I bow before your musical genius!”